| Gand and Bernadel |
This is a very good example in very good
condition. Made in 1881, the violin has an extraordinary power but still with a
flexible tone. Whilst there are quite a few violins in existence from this maker
you will be troubled to find such a good one in such fine condition as this. |
| Michetti Turin |
A good example by Plinio Michetti of Turin. Good
condition. |
| Tetsuya
Kimura |
From Japan, we have a Bergonzi modeled violin in
stock at present made by Tetsuya Kimura. |
| Felix Foucher, 1917, no. 112 |
One of very few surviving examples, this violin is
in good condition and has good provenance. Apparently inspired by Naples making,
it has a one piece back and is signed on the inner table as well as a signed
label. |
| Nowak |
New and very interesting violin by Steffen Nowak
of Bristol |
| Delille Master |
Henri Delille master, Bosnian maple and spruce |
| Albert Deblaye, 1936 |
French violine by Albert Deblaye, 1936 of
Mirecourt |
| Charles
Tweedale, 1921 |
A good example of this makers work. |
| August
Delunet (WE Hill) |
An excellent violin showing elements of French and
English schools, with something unmistakably Hills about the overall impression. |
| French |
Laberte workshop, labelled Clotelle |
| Michael Hatting, 1994 |
Amati Strad model |
| James Thompson, 1810 |
More naive in style than other instruments of
James Thompson. Works particularly well for period performances. |
| Whitmarsh |
Violin by Emanuel Whitmarsh, London |
| Louis Genin, 1906 |
Good French violin in excellent condition. |
| Steffen Nowak, after Guarneri del Gesu,
1737 |
A baroque violin made by Steffen in 2006 after
Guarneri del Gesu 1737 (the ex - Joachim). The instrument speaks very well
indeed and it is also really nicely made and varnished. |
